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Collapse Board’s Belated Worst of 2016

Collapse Board’s Belated Worst of 2016

In the run-up to the end of 2016, there we all were in the Collapse Board contributor’s forum discussing the worst music of the year.  Consensus was being reached reasonably easily as the same names kept cropping up, when we suddenly found that we’d been beaten to the punch by triple j of all people, […]

 Caspar Jacobs

10 Things I Learned From an Afternoon with Everett True

10 Things I Learned From an Afternoon with Everett True

Meeting Everett True was kind of a big deal for me. One of the reasons I paid for a masterclass with him was to get one of my reviews published in a real book. But really it was all about meeting your heroes. This is definitely a song you should hear before you die I […]

 Lee Adcock

101 Albums You Should Die Before You Hear, Vol. 1 – A Biased Review

101 Albums You Should Die Before You Hear, Vol. 1 – A Biased Review

So. You remember that rejected 33 1/3 chapter that Everett True posted on here back in September? Well, shorty after that, he posted on the Facebooks that he had a new idea for a book, and he needed writers FAST! Within a day, those who replied were shepherded into a new group called Rejected Unknown […]

 collapseboard

Pitchfork is Dead, Long Live Pitchfork

Pitchfork is Dead, Long Live Pitchfork

By Josh Liam Score: 1.3 There was a time in the early 2000s when I enjoyed the ratings of Pitchfork and I agreed with their reputation as “the most trusted voice in music”. I would revel in their musings as they held strong opinions and opened my mind to new music. But then around 2004, […]

 Lee Adcock

No Jaws – Young Blood (Modern Guilt)

No Jaws – Young Blood (Modern Guilt)

This is not about No Jaws. This is about a band who pitched their new album by quoting Everett True, the German Rolling Stone (?), and me. You hear that? Me. Yes, me. Do you know how many full albums reviews I’ve written since I came/stumbled upon Collapse Board almost a year ago? 44. (I […]

 Lee Adcock

Philip Selway – Weatherhouse (Bella Union)

Philip Selway – Weatherhouse (Bella Union)

Open mind and ears, I swore to myself before diving into Weatherhouse. Never mind that Philip Selway hails from the obelisk contingency that is Radiohead. Let’s isolate this thing, then. An ordinary ancestral manor in the shady and ever-shifting landscape populated by pop music. High ceilings, high windows. A large study with a wall of […]

 Everett True

The return of Everett True | 44. For Food

The return of Everett True | 44. For Food

Get this inside ya. You’ll feel better for it. Mental, as Ron Weasley would say admiringly. It reminds me of This Heat – their provocative, nerve-less, sparky, insurgent, refreshingly abrasive, ricocheting, noisy, relentless post-prog-punk – most of all, but as I’ve stated many times before, most everything does. I can hear washing machines in there. […]

 Lee Adcock

Mosman Alder – Humdrum Star (Dew Process)

Mosman Alder – Humdrum Star (Dew Process)

The whole music scene thing, it’s all a façade, really, said my landlord one morning, or something like that. He always says things like that whenever we meet in the kitchen. You know, that the government fabricated the war on drugs (the real one, not the band), that the students coming up seem dumber and […]

 Lee Adcock

So. That NME List. Let’s Talk.

So. That NME List. Let’s Talk.

As we all know, I’m just a hack when it comes to music criticism. Not one of those professional, illustrious NME editors at all. However, I can say that I know a thing or two more about sample selection and “science” than the self-righteous blokes ($10 wager that they’re ALL blokes) who compiled this so-called […]

 Lee Adcock

King Creosote – From Scotland With Love (Domino)

King Creosote – From Scotland With Love (Domino)

So I’m half-tempted to split this review with another folk album in my queue – one that breaks more molds and challenges the listener on many more levels – but I’ve decided against it. The work in question demands more thorough listening and all the space that a digital article can afford (and no, digital […]

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