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Collapse Board’s 2018 Call for New Contributors
We’re a bit late this year (the story of our life) but it’s time…
Why’d Ya Do It, Why’d You Do What You Did? – On the return of Sticky Fingers
Unaddressed allegations of racism, misogyny, violent abuse and bad behaviour. There’s a problem with…
1800-Laneway Failed Sydney
You break up with your ex. You like them, but they’ve pushed the limits…
- Features
The Collapse Board Interview: Kellie Lloyd
Ahead of the release of their new album, Five Rooms, their End of This…
The Collapse Board Interview: Jason Williamson (Sleaford Mods)
Thursday 12 March 2020 and I’m at Sleaford Mods sold out show in Brisbane…
The Collapse Board Interview: Jess Cornelius
After moving from New Zealand to Melbourne in the early 2000s, Jess Cornelius found…
- Reviews
Midnight Oil @ Brisbane Riverstage, 13.04.2022
The end. Well, it’s as good a place to start as anywhere isn’t it?…
In Photos: Midnight Oil @ Brisbane Riverstage, 13.04.2022
Midnight Oil play their final Queensland show at the Riverstage in Brisbane.…
In Photos: Hard Ons + Fat + Burnt Trash @ The Zoo, 18.03.2022
The Hard-Ons’ I’m Sorry Sir, That Riff’s Been Taken tour hits The Zoo in…
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A tribute to Holger Czukay
Once I was blind, now I can see Once I was blind but now…
The Goon Sax, live in Brighton (UK)
BRIGHTON KOMEDIA: I have never felt very comfortable with my body. This feels like home.…
Tashaki Miyaki – The Dream (Metropolis)
The opening song sounds like My Bloody Valentine. You may well be enthused by…
- Song Of The Day
Song of the Day #769 – Nice Biscuit
One of these days I will get around to updating my own blog site. …
Song of the Day #768 – Dead Man’s Bones
Song of the Day is typically about sharing something new or vaguely recent but…
Song of the Day #767: Cat Power
I spend an unhealthy amount of time thinking/mildly obsessing about the lives of famous…
