Nova 106.9fm: The Saviours of Australian Independent Music?
Commercial radio is the same wherever you are: its playlist is severely restricted, and they don’t “break” bands
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Collapse Board’s 2018 Call for New Contributors
We’re a bit late this year (the story of our life) but it’s time…
Why’d Ya Do It, Why’d You Do What You Did? – On the return of Sticky Fingers
Unaddressed allegations of racism, misogyny, violent abuse and bad behaviour. There’s a problem with…
1800-Laneway Failed Sydney
You break up with your ex. You like them, but they’ve pushed the limits…
- Features
The Collapse Board Interview: Peter Hook
Interview by Tom McCall Photo by Laurent Bruguerolle Photographie Peter Hook and the Light…
The Collapse Board Interview: Kellie Lloyd
Ahead of the release of their new album, Five Rooms, their End of This…
The Collapse Board Interview: Jason Williamson (Sleaford Mods)
Thursday 12 March 2020 and I’m at Sleaford Mods sold out show in Brisbane…
- Reviews
Spiderbait @ Princess Theatre, 05.08.2022
Where you come into a band’s existence is everything. Discover a band early on,…
In Photos: Spiderbait + Cheap Date + Platonic Sex @ Princess Theatre, 05.08.2022
Spiderbait bring their ‘Tour in the Key of J’ show to Brisbane at the…
Midnight Oil @ Brisbane Riverstage, 13.04.2022
The end. Well, it’s as good a place to start as anywhere isn’t it?…
- Everett True
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A tribute to Holger Czukay
Once I was blind, now I can see Once I was blind but now…
The Goon Sax, live in Brighton (UK)
BRIGHTON KOMEDIA: I have never felt very comfortable with my body. This feels like home.…
Tashaki Miyaki – The Dream (Metropolis)
The opening song sounds like My Bloody Valentine. You may well be enthused by…
- Song Of The Day
Song of the Day #776: Momma
Sometimes the algorithm actually works. Look, I’m just as surprised as you. ‘More like…
Song of the Day #775: Guppy
Screengrab image via Blend42 Regrets, I’ve had a few, but then again too few…
Song of the Day #774: Horsegirl
Talking of missing shows in 2022, I managed to be in London in the…
