Considering Pitchfork’s 200 Best 80’s Songs
By Scott Creney Ask anyone who’s ever worked for a literary magazine, democracy is a shitty way to evaluate art. The polarizing stuff rarely makes it through. Instead you end up with a bunch of B-plus material—competent, workmanlike. Or in the case of this week’s Pitchfork Top 200 Singles of the 80’s, you end up […]
Album Roundup: June 2015
By Scott Creney So if Robert Christgau—who pretty much invented this format—is the Dean of Rock Critics, then what does that make me? The Mujahideen of Rock Critics? The Paula Deen of Rock Critics? The Jan & Dean? Whatever. Here’s some stuff that came out in June. I’m not going to bother embedding pictures and […]
The Only Apple Music Article You Need To Read
By Scott Creney So when you first join up there’s all these goddamned floating circles and you’re supposed to pick your favorite genre of music from a bunch of categories that are so broad & vague as to be meaningless: alternative, electronic, pop, rock, oldies, etc. But you can’t see all the bubbles at once […]
Ten 90s Albums More Feminist Than Alanis Morissette’s Jagged Little Pill
By Scott Creney Look, I know the article’s probably meant to be bullshit and I’m a sucker for clicking on it in the first place (and for what it’s worth I held out a full day before curiosity got the better of me), but everything about this article stinks. And I know that in some […]
Jenny Hval – Apocalypse, girl (Sacred Bones)
By Scott Creney I know that none of this matters b/c the album came out nearly a week ago and so everyone’s already on to reading about another record by now. If I’d finished this earlier, I could have multiplied the number of Original Page Views by 10, and in music writing world this would’ve […]
The Collapse Board finally cracks | an explanation of why we are finally introducing star ratings
By the Collapse Board Editors (except Lee Adcock, because no one asked her – but that’s OK, I mean she’s not that important anyway) It was inevitable, looking back on it. Despite the protestations from certain staff members here at Collapse Board, and lines such as The problem is that ratings give readers an excuse not […]
Where The Metaphor Fails | “Writing about music is like dancing about architecture”
By Ms Tiarney Miekus Anyone who cites this off-quoted quip has probably received a negative review. As far as one-liners go, it’s as vapid and reductive as they get. Yet this morning it greeted my Facebook feed alongside a hastily photoshopped Warholesque photo of Elvis Costello. Poor Costello in October 1983 for Musician magazine: “Writing about […]
Nick Marsh of Flesh For Lulu | Death & Remembrance
By Scott Creney I imagine the day the band finished working on this song they were convinced it was going to be huge. I can imagine them ordering some food, several cases of beer, maybe some champagne, maybe some celebratory white colombian powder to help the night go on forever. After a few years of […]
The return of Everett True | 152. Carly Rae Jepsen
The music I linked to yesterday is beautiful. My words, not so. No one clicked through anyway, because no one wants to know about stuff they’ve never heard of. They only seek reassurance, codification, the lure of the familiar. That’s OK. I’m the same, lots of the time. There was the results of that study […]
A brief history of Collapse Board
2010: Justin Edwards and Everett True found the site. It is intended as a radical alternative to the established Aus music press, with a focus on Brisbane. Meetings are held, where everyone stares blankly at everyone else. Drowned In Sound runs a series of articles asking “is music journalism dead?” 2011: Everett True brings in an array […]
