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This entry was posted on Tuesday, August 16th, 2011 at 12:28 pm. It is filed under Everett True and tagged with Akala, Barbara Panther, British Sea Power, dan le sac Vs Scroobius Pip, Enter Shakiri, Facebook, Future Of The Left, Gallows, Gruff Rhys, IfIHadAHiFi, Immortal Technique, Karl Rove, Lady Gaga, Lupe Fiasco, Manic Street Preachers, Music criticism, music videos, Nxtgen, PJ Harvey, political pop songs, Sparklehorse, The King Blues. You can follow any responses to this entry through the RSS 2.0 feed.
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how would you define political music? is all music political? is all art?
Everett – you should put up ‘Fuck the Country-side Alliance’ by Future of the Left.
I’ve been waiting for someone to bring up Lady Gaga. She is not a band, or rock, and her music mostly sucks, but I’m pretty sure Don’t Ask Don’t Tell wouldn’t have been repealed if it weren’t for her banging on about gay rights.
And here’s another thing that’s been bugging me – what exactly makes a band or a performer a “political band”? The music press, that’s what – because LOTS of bands or acts release music with a political slant but would not class themselves as being a “Political Band”. Pulp are perhaps the best example.
And what about feminism? Is that not inherently political too? Because there are a tonne of female acts who, while not being defined as “political” or even perhaps “feminist”, have made political statements that comment directly on their own lives and their positions in society. Peaches, Yo! Majesty, Nicki Minaj, Jean Grae, MIA anyone?
I think what the NME is looking for is actually a definition of “political bands” that is a quarter of a century out of date a lá The Clash. There is political music around a-plenty, it’s just not being made by straight white males with guitars.