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 Everett True

I watched 40 seconds of the greatest band (a tragedy in 40 seconds)

I watched 40 seconds of the greatest band (a tragedy in 40 seconds)
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I watched 40 seconds of the greatest band.  I pretended I had watched 40 minutes when I spoke to them later because hell it’s embarrassing to have watched 40 seconds of the greatest band just as the “thank you’s” kick in and then enthuse to the band how wonderful you think they are and can they play a show with you in Worthing in November, please please please.  I asked the promoter too.  It is my new way of mating.  See 40 seconds of the greatest band and then turn on the 54-year-old charm.  Someone had whispered “Raincoats” downstairs and I scorned and they looked embarrassed too, because they were downstairs and so if it was true why were they there and if it was not true why were they saying it, and so I took the steps three at a bound only to discover 40 seconds of the greatest band, and not only was it both true and not true but it was wonderment, magic, sparky nervous magic.  Whispering as if it was an orchestra, and so special.  I am a git, frankly.  40 seconds I watched, and 40 minutes was there for the taking like a manifesto: the key to the newest treasure chest was in my hands and I failed to turn the lock until just so close to being so late.  WHAT ELSE HAVE I MISSED IN MY MANIA?

Read not my words.  Read my words and weep for my future.  Read not my words, and listen. Five or six of them on stage (I did not have time to count) and they were in the groove, lost in music.  Caught in trap.  More intimate than the sexual act (not that that is saying too much, really).  A call to hugs for the lost and flighty.  Ivor Cutler distilled through an alternative lens and alternative reality.  Marine Girls re-imagined by a generation that has their own beachcombers.  A cosmic love-bomb.  Psychedelic whispering.  I took all of this from 40 seconds, easy.  I have that ability.  So lonesome, so awkward.  So beautiful.  I relived the 40 seconds over and over in my head for weeks afterwards.  It feels like weeks since I last felt their touch.   (It is days.)  You will not understand.  You will understand.

Love.

This is yours, if you just stop talking and listen.

So great.  Every one of those 40 seconds.  So great.  I cannot believe this band is not being YELLED ABOUT FROM THE BARRICADES OF THE DOLDRUMS OF BRITAIN.  So great.  I am so glad I did not see the full 40 minutes because I would have been spellbound, star-bound and incapacitated for months to come, and would never have started my book company.  Imagine.  Music that lasts for 40 seconds where every single second is Mary Poppins magical.  So intimate.  Like reading.  Like floating on waves of tiredness and solitude.  I would willingly suffer an entire ‘nother lifetime of manic depression just to hear those 40 seconds again.  Is there ANYWHERE in  the mainstream U.K. that will allow me to write about Porridge Radio and let the beauty come flooding in?  Anyone?  I feel so impotent but this music helps magnify my sense of self, does not lessen it.

songs about self loathing
songs about self loving
songs about old friends, new friends
old love/new love/forever love
frustration, sadness, and that feeling
that everything is beautiful
and everything is okay.

After that, I watched 40 minutes of Australia’s greatest band in my old local, and in places it felt like I was full-on hallucinating – images of Brisbane and kinship fleeing across my speckled gaze.  Two Valiums and four Coca-Colas and sweet sweet psych rock.  That is all it takes.  Which Verlaine do you prefer anyway?

Raincoats?  Man, no.  Having listened to more than 40 seconds now, I will be too much in awe to be able to speak to the lady if I ever should encounter her again.

Flying over Russia, her greatest song.

3 Responses to I watched 40 seconds of the greatest band (a tragedy in 40 seconds)

  1. Pingback: The Amersham Arms » 12th November Sun Machine, Porridge Radio & The Cosmic Sadness, Seeds Of Doubt

  2. Alan December 12, 2015 at 4:06 pm

    Dear mister true,

    You are a horror. I don’t what you are, but it is irritating. To go on and on about “the greatest band in the world” and not once say who that band is. You’re very much like that vegan friend who can’t stop themselves from interrogating the waitress or waiter as to whether or not their meal has been cooked in pans that have touched meat–you don’t know if they’re just earnest and clueless or intentionally irritating and annoying. Why haven’t the noticed everybody’s “Oh god, not again” body language. You’re very much remind me of the infamous, Dave Kehr, former film critic of the Chicago Reader, who could write an eight page review of some summer, block-buster, pop corn movie, as if he was reviewing a retrospective of some French New Wave director. I’ve read many such reviews and they were all thoughtful, well written and even entertaining (mr. kehr know his craft very well), but the question still remained–why was that published at large to the general public. The people who want to know, if Die Hard 2 is as good Die Hard have no reason to read it. People who are interesting “the greatest band in the world” question and possibly mr. true’s opinion on the topic have no reason to read what you just wrote–no matter what kind of literary journey they experienced while not getting the answer they have every reason to expect. If need to write some sort of Beat novel, in order to stop abusing people, mr. true, please do so.

  3. Pingback: ET’s favourite Australian albums of 2015 | Music That I Like

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