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Collapse Board’s 2018 Call for New Contributors
We’re a bit late this year (the story of our life) but it’s time…
Why’d Ya Do It, Why’d You Do What You Did? – On the return of Sticky Fingers
Unaddressed allegations of racism, misogyny, violent abuse and bad behaviour. There’s a problem with…
1800-Laneway Failed Sydney
You break up with your ex. You like them, but they’ve pushed the limits…
- Features
The Collapse Board Interview: Deniz Tek (Radio Birdman)
SPOILER ALERT!!! At the very end of Descent into the Maelstrom, the 2017 Radio…
Our Annotated Commentary to the Worst Piece of Journalism 2018
Between rock and a safe space [To suggest that rock is diametrically opposed to…
The Collapse Board Interview: Barry Burns (Mogwai)
Looking back at growing up in the UK in the 1970s and talking about…
- Reviews
In Photos: Brisbane Festival Closing Party @ The Riverstage, 29.09.2018
Violent Soho headline the Brisbane Festival Closing Party at The Riverstage, with support from…
In Photos: Radio Birdman + HITS @ Triffid, 28.09.2018
Radio Birdman play at Triffid in Brisbane, with support from HITS.…
Kitchen’s Floor – ‘Dictaphone’ (Reissue)
I guess you could call this a reissue. But get this clear. It was…
- Everett True
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A tribute to Holger Czukay
Once I was blind, now I can see Once I was blind but now…
The Goon Sax, live in Brighton (UK)
BRIGHTON KOMEDIA: I have never felt very comfortable with my body. This feels like home.…
Tashaki Miyaki – The Dream (Metropolis)
The opening song sounds like My Bloody Valentine. You may well be enthused by…
- Song Of The Day
SOTD #752: New War
We haven’t done one of these for ages so how about the new New…
Song Of The Day 171: Mallrat
Regular readers will know that when it comes to firsties, Collapse Board is not…
Song Of The Day 170: Hatchie
Laneway rolls into Brisbane this weekend. Traditionally (or at least in recent years), it’s…
