Q&A with Matt & Kim | The Collapse Board Interview
We give it all we got for everything we do if it is the recorded music, live show, press photos or music videos. We want to only make things that we 100% back.
The Collapse Board Interview | Screaming Match
Basically, Sarah’s dick has a lot of room for sucking.
The Collapse Board Interview | noon:30
This EP was writing while I was in a place of anger. So lyrically it tells the story of my rage mixed with the love of embracing it.
the interview | Iceage want you to know that they’re not fascists
The idea was to not to try to, you know, glorify violence or anything, we just thought it was a fun idea
Another ancient interview with Yeah Yeah Yeahs. This one was their first ever cover story. Thought you might enjoy reading this as well.
You’re like the violent interviewer. The Hannibal Lector of interviews. Did you see that scuffle?
An ancient interview with Yeah Yeah Yeahs. Thought you might enjoy reading it.
SPONTANEITY! SPONTANEITY! That’s what is central to all the greatest rock’n’roll and THAT’S WHY the Yeah Yeah mother-fucking Yeahs are so vital and the (spit) mother-fucking Vines are just sheep’s turds dressed up in your momma’s glad rags. Fuckheads.
Riot Act Media’s Nathan Walker on Record Collecting: “It’s a mix of excitement and fear…”
There’s nothing more calming than the process of looking through my collection for the perfect record, finding it, and then laying the needle into it.
A surprisingly insightful Everett True interview from 2009
It is worth bearing in mind that writing – like any art performed in the public arena – is part-performance, so it’s worth having a persona that you can slip in and out of.
The Collapse Board interview | Darren Levin (FasterLouder, Mess+Noise)
Why should people write for FasterLouder when they’re accumulating clips when they could just start a tumblr instead? Is there a single good editor who actually cares where a piece was published as much as they care about the quality of the writing?
This man is fucking outrageous
The fucks will be edited at the end of this … now we added a 72pt font fuck too!
The 4-track DIY aesthetic of The McTells
I used to love their scratchy, fragile, poignant, personal music. They always seemed like scurrying little creatures bringing light to the deepest shadows.
Interview with Alex Gillies of No Anchor
Positive is a funny thing when you’re trying to ram 125 decibels of sound into each other’s faces in a small confined room
Kathleen Hanna – The Collapse Board Interview
“It doesn’t matter what you do, if you’re not a straight white male you’re going to get more harshly criticised than other people so you might as well just do whatever the fuck you want.”
Kate Nash – The Collapse Board Interview
“The music that I listen to, I feel like it’s really something that saves me. It’s escapism. It’s comfort.”
A Conversation With Richard Kingsmill, triple j Music Director
Really, someone who’s written a blog posting about triple j, complaining about the fact that we’re trying to monopolise Australian music, really doesn’t keep me up at night. I really don’t worry about it.
The Collapse Board interview – Maria And The Gay
This time let’s not call it anything. People will hate it but at least it will have spirit.
the full transcript of the Yoko Ono interview
The only thing I want is more time. Give me more time to grow and experience.
Giant Drag’s Annie Hardy – The Collapse Board Interview
My whole school years were fucking saved by the fact that I learned to play guitar and sing
Dan Bejar of Destroyer – The Collapse Board Interview
“I’d much rather have a minute of awkward silence than me asking people how their night went. Awkward silence has way more to do with the music we’re playing than casual banter”
Catcall – The Collapse Board Interview
by Bianca Valentino Catcall is the latest musical project from Sydney-based musician Catherine Kelleher. Kelleher first performed as frontwoman for Australian DIY punk band Kiosk in the early 00s. Upon returning home from a 2006 Kiosk US tour Kelleher had a life changing moment (which she talks about here) and after much soul searching decided [...]
Joe Cardamone (Icarus Line) – The Collapse Board Interview
Most people just turn the other way for success. I think we’ve had a career of uncompromising vision.
Celeste Potter of Ouch My Face — The Collapse Board Interview
I don’t think any of my guitar solos are any of the right notes or anything.
