Music is far too important to be relegated to the background. And while many “Best of” or “Top 10” lists are full of background music for background people, I reject that wholesale. We live in a world overburdened and surrounded by tawdry flacks and cheap howling sideshow men yelping for your attention at every level. All demanding that they and ONLY they have found the NEXT.BIG.THING. Finding a filter for this isn’t just a nice thing, it’s nearly a requirement.
In any case, it’s a world gone topsy turvy when certain other sites of “music writing”, never to be confused with actual music criticism, FAMOUS for being a closed system are suddenly soliciting a reader’s poll. What do you think, is this progress?
In any case, just because something is popular means that it is good, it just means that it is popular. However, certain powerful forces that have dominated the majority of the music world have been awash in pushing forward a certain branded identity. Whether they admit it or not, there is culpability and an aesthetic that favors the Starbucks variety of sensitivity and vaguely inoffensive background melody and music. So therefore, let us all give thanks that there is a place on the Internet that you can read and INTERACT with actual music criticism. A place where people who truly LOVE music will both tell you when they see miserable failure, but can present to you what they love. Sometimes in an easy list form.
2011 was an incredible year for music and here are some of the things that made it even more incredible for me, as a fan of rock music in no particular order:
Virgin Islands – Ernie Chambers V. God
Sharp and vital last wave punk from Seattle, WA that is not the least bit ‘grungy’ at all. Musically proficient, literate, and filled with purpose and aplomb. The album title is a reference to the famous Nebraska senator who filed a lawsuit against God himself. It’s a fitting analogy for a band this good that has this much creativity, power and incisiveness behind them. Much like the legislative maneuver of Suing God, it’s audacious, admirable and more than a little nutty. Also: ‘No Doctor’ is absolutely on my short list of singles for the year. To say nothing of all time Health Care related anthems.
Obits – Moody, Standard And Poor
There is a reserved confidence to what Obits do that is truly interesting. This is a rock band with a pedigree of much more raucous outfits, that have chosen to take that power and put it through a funnel. Obits are confident and well poised, what comes out at the end is some mature, at times shuffling rocking that eschews the middling elements of many other contemporaries. They aren’t hitting you over the head with sledgehammers, but they will not be ignored either. I have called them a “punk rock Yardbirds” in the past. And while I meant that facetiously, the consistency matches. Great band and great album worth your attention.
Police Teeth – Awesomer Than The Devil
Probably one of the finest American rock bands going right now, and still criminally unknown. Here’s what I wrote up on this amazing record earlier in the year:
“Seattle’s little-known and largely unheralded Police Teeth continues to write, record, and perform some of the best indie rock around, despite the lack of financial gain, notoriety, or justice. Few are in its league. Hell, few are playing the same game. Awesomer Than The Devil brings the damage just as hard as 2008’s Real Size Monster Series, a cult hit among those in the know. This is the sound of smart, cynical guys playing vital music that smokes the competition.
“Should-be No. 1 hits like ‘Summertime Bruise’ and ‘Rock And Roll Is A Pyramid Scheme (Parts 1 & 2)’ cross paths with moody and insistent pieces such as ‘Public Defender’ and ‘Watching The Hydroplanes’ (originally by the Factory Records band TunnelVision). A slap in the face of Pitchfork Media-style posing, Awesomer includes scathing indictments of the “cash in, debt out” nature of the banking class and songs that advocate burning your diploma for heat. To the initiated, the catchy, working-class rock of Police Teeth demands comparisons to Les Savy Fav at the top of its game, or The Thermals when they truly lock it in, or Archers Of Loaf. True to its title, the album is not only worth a blind buy, it’s a necessity.”
Wild Flag – Wild Flag
A great, great inventive rock record that happens to consist of four very talented ladies. (WHAAAA? GIRLS CAN’T ROCK!!!) Combining the dreamy and near proggy guitarwork of Mary Timony, the sharp concise riffage of Carrie Brownstein, the authoritative organ and bass of Rebecca Cole and the powerhouse drumming of Janet Weiss, Wild Flag is a band that is truly more than the sum of their parts, despite any detractors protests to the contrary. How fitting that all four members sing together and sing beautifully. There are certain contingents that think it has gotten more attention than deserved due to their origin, pedigree or gender, they are wrong. I love that many than a few of the songs on this record are about the love of music itself, the making of it and the power that it can wield. If you were look at the reaction of the indie music world, you would think rock music itself was in exile, instead of just not an area of interest for the current arbiters of taste. But there is more a symptom of the pathetic state of so-called music journalism these days and is not to be laid at the feet of this excellent band.
Let’s put it this way: I am glad that this band is around to bring the rock to girls and boys alike and maybe show to a whole new generation that this kind of music is too valuable to be left to hacks, imitators and fools … and gee whiz, perhaps four really awesome ladies can completely bring the damage. This is not a perfect record, but it is a damn fine debut, and anybody expecting that is paying far too much attention to the hype machine and the impressive resume this band carries around like a hair shirt. Expectations can be a tumultuous thing. Why can’t something just be a good record? Anyway, I love music … and rock music specifically, and this is a damn fine rock music style record. I reject the notion that it is a bunch of disparate personalities just “doing their thing”, this is a new thing. The sound is the blood between me and you. More please.
Poison Control Center – Stranger Ballet
I believe I already expounded at length about how great this band is:
“Any squalid talk of the death of rock and what not can fuck right off. The Poison Control Center is a force to be reckoned with and this should be recognized now. I cannot put this simply enough.”
This is their go-to record, and you should know it. If you want to believe in rock’n'roll again, you should give it a try.
Tom Waits – Bad As Me
Everett posted the phrase “the best kind of ‘more of the same’”. And that’s pretty darn good, hard to top even. It’s a weird situation when ‘more genius’ is just kind of expected, but that’s something that you can hang on Tom Waits’ hat rack. I’d love to see a review where the phrases “Captain Beefheart”, “Tin Pan Alley” and usage of mules at, in, or around boats, are not allowed. But a lifetime of great music will breed cliché and hack writing as much as anything. Tom Waits is a treasure, and not one to be taken lightly. He is one of my favorite artists of all time, and Bad As Me is indeed the best kind of more of the same. I long ago decided not to evangelize about the man to the non-believers, but my church is most definitely headed up by the right Rev. Waits. Even when he’s not waving a gun around, his words are very compelling.
Helms Alee – Weatherhead
Holy balls. ‘Heavy’ music that manages to combine the best parts of modern psych music with the power of bands such as the Melvins? Sounds good, now add in crazy three part harmonies with every member of the three-piece band, 2 ladies, one gentlemen singingly like angels. Well … you’ve got something special. If you are the kind of person who hates loud guitars… well, you are probably reading the wrong list, but this is the kind of record that might make you change that opinion. Helms Alee will make the metal “Best Of’s” but banishment in that musical ghetto sells them short, at times they get almost shoegazey and they are one of the few bands to build on the beauty and majesty of what Unwound has done with their own voice. To say that this is a band to watch is a wild understatement. This is a band to love.
The Mountain Goats – All Eternal’s Deck
The songwriting, lyricism and appeal of John Darnielle is absolutely undeniable to any that choose to listen and have an ear for an earnest well done song. And understand that when I say: earnest I mean in the truest sense of the term, not in the coarsening of earnestness that is used a synonym for banality. Bring forth all of the faux sensitive beardos and they shall be struck down by the truth of the Mountain Goats’ songs. BRING THEM ALL FORTH. All Eternal’s Deck is one of the finest entry points and most cohesive offerings since the landmark and incredible Sunset Tree. Much like with the great Mr. Waits I try not to talk people out of their opinions if they cannot abide the vocals. As somebody that took me years to get into it, I get it … believe me. However, ‘Damn These Vampires’ might just be one of the finest Mountain Goats songs written, and in a career of incredibly poignant and heartfelt songs, that’s no mean feat. A damn fine record and one that I think will stand the test of time. “Sleep like dead men, wake up like dead men, and when the sun comes, try hard not to hate the light, someday we’ll try to walk upright.”
Hurry Up Shotgun – Hurry Up Shotgun
Ahh! Hurry Up Shotgun, you make the rest of these artists look as obscure as Radiohead, yet you have made one of my very favorite albums of the year. One of the very few bands in my home of the SF bay area that I can truly say have grown exponentially. Shotgun have become a stronger more purposeful unit. A far, far cry from their raucous noisy roots, but still taking the heart of that into the future.This is a fully realized and powerful set of modern rock songs that should be played in stadiums instead of half full bars. This is the passion and power that should be filling arenas around the world. I’m tasked with the almost overwhelmingly difficult task of trying to convince a skeptical audience that this is a truly remarkable album. So here’s the pitch, listen to this record. It is worth your damn time and you will be better for it.
Just one example is the album closer ‘Girl From CA’:
“after all the fires burn out
this will keep you warm and sound
after all the fires burn out the clouds will clear up and we’ll see STARS”
The Blind Shake – Seriousness
The Blind Shake are another mostly unknown American treasure. Trying to describe why they are such a vital, exciting, powerful and interesting band is an arduous task. Take a reverbed DEVO-ish trio revved up on a V8 engine humming to capacity and launching off into the horizon and you have a start to understanding The Blind Shake. But here’s the thing, this album of rocked out crazy surfish noise rock is unlike anything else going and is absolutely thrilling. The upcoming documentary on them is going to be an absolute must-see. And this record is one that I’ve listened to quite a bit in the past year. Absolute seriousness.
Personal note: There is NOTHING wrong with rock music, there’s just a lot of terrible rock music out there. This is some rock music that is NOT terrible.
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This entry was posted on Saturday, December 17th, 2011 at 11:18 am. It is filed under Music Blogs and tagged with best of 2011, Conan Neutron, Helms Alee, Hurry Up Shotgun, Lou Reed, Marnie Stern, Metallica, Obits, Poison Control Center, Police Teeth, The Blind Shake, The Mountain Goats, Tom Waits, Virgin Islands, Wild Flag. You can follow any responses to this entry through the RSS 2.0 feed.
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